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Buxton Opera House And Festival

Buxton Opera House (small) 120x150.jpg Buxton Opera House in Derbyshire bears up well for this shot, taken at the end of the wettest June in England since records began, as preparations are finalised for the Buxton Festival. The Festival, this year from 6 – 22 July, attracts over 36,000 people annually to the Peak District and in 2007 will feature more than 110 events in just 17 days – including 7 operas, 16 literary speakers, 36 concerts, an afternoon ballet and a ghost tour.
Buxton Opera House - detail 'Private Boxes', Festival posters & flowers 480x640.jpg
Details of Buxton Festival 2007 are available here.

HOTFOOT 2007: Sunday 22 July, 7 pm, Liverpool Philharmonic Hall

HOPES Festival logo (small) 110x116.jpg HOPES: The Hope Street Association marks the thirtieth anniversary of the inaugural Hope Street Festival with a HOTFOOT 2007 concert offering many elements of previous such events. Tayo Aluko, Tony Burrage, Richard Gordon-Smith, Sarah Helsby-Hughes, Hughie Jones, Roger Phillips and Surinder Sandhu join children from Merseyside schools and the stalwart HOPES Festival Orchestra and Choir for an event not be missed.

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Early Summer In Edinburgh Botanic Gardens

Edinburgh Botanical Gardens, waterfall  (small) 85x136.jpg The Royal Botanic Garden Edinburgh was founded in the 17th century as a ‘Physic Garden’, growing medicinal plants. It now extends to four sites, including a spectacular location in Edinburgh high above the city which features this world-famous rock garden, here shimmering in the early summer sun.
Edinburgh Botanical Rock Gardens, Waterfall & Lily Pond, late May 480x500.jpg

You may also like to see these photographs and articles:
Cherry Blossom For May Day In Sefton Park, Liverpool
Wirral’s Ness Gardens
Sefton Park, Liverpool: Winter Solstice 2006
National Allotments Week
Flowers In Pots For All
Liverpool Botanic Garden, Edge Lane
Visiting Valencia
Love Parks Week!
Seasonal Food – Who Knows About It?
Read more about the ‘Edinburgh Botanics’ at Royal Botanic Garden Edinburgh

Liverpool One: The Grosvenor Development Growing

Grosvenor cranes (small) 70x137.jpg The deadlines for Liverpool city centre renewal now loom. Whilst the Big Dig continues to present us all with challenges, Liverpool One, the enormous Grosvenor development, is becoming a discernable entity.
Liverpool Grosvenor Development 07.5.14 480x412.jpg

Lewis’s, Lime Street And Liverpool Losing Out

Lewis'sStoreClosing Notice 2007.4 (small)90x134.jpg Liverpool city centre is in a state of flux, as the Big Dig re-routes and bewilders in equal measure. The aim is that the city centre will become a pleasant, business-friendly place to be. The disgraceful state of Renshaw Street, linking Lime Street Station to the city south end, sadly belies that intent. It’s scruffy and delapidated; does it have to be like this?
Renshaw Street Liverpool from Lewis's to Lime Street  160x196.jpg Lewis'sStatue 160x81.jpg Liverpool Lime Street looking down Renshaw Street to Lewis's 160x209  2007.4.jpg

The steel-grey vistas above are what first greet visitors to Liverpool’s city centre. The once-mighty Lewis’s department store and the street from there to the main train station look much as some of us recall them thirty years ago, except perhaps they are less well scrubbed. And to add to this we now have the challenge of the City Centre Movement Strategy (CCMS) ‘in action’ every time we come into town.
The Big Dig as a way of life
To those familiar with Liverpool’s city centre the Big Dig has become a way of life. Intended to make the heart of Liverpool ‘fit for purpose’ for the celebratory years of 2007 and 2008, this now seemingly perennial feature of the city centre experience feels to have become a liability for Liverpool’s citizens, rather then an opportunity to enhance our future.

Many are asking whether a city which has suffered so much digging of holes and diversion of traffic in all directions can actually survive as an economic entity until the works are finally completed. The word is that some local businesses are going to the wall, especially in the train station area around Liverpool Lime Street, RenshawStreet and the Adelphi Hotel (not, it seems, itself under duress).
Enterprise endangered
Certainly, there have already been casualties. Heart & Soul, Chumki Banerjee’s signature bistro restaurant just around the corner on Mount Pleasant, has closed and Lewis’s Ltd (quite a different retail company from John Lewis) is rumoured after many years – it was founded in 1856 – to be folding imminently (mid-May 2007). There are also suggestions that
some other long-established local stores are at risk.
A relaxed approach to regeneration?
No-one denies that improvements to the city centre are required; but many question the apparently relaxed approach the City Council and others have taken to achieving this.
Work on the Big Dig seems at best to be nine-to-five, and nobody, as far as one can tell, has a responsibility actually to clean up the grimly grey and crumbling retail and commercial buildings along Renshaw Street from Lime Street.
Take a fresh look – and freshen up!
Is it surprising that businesses in this well-established part of town are feeling the pinch? Who would choose to walk from Lime Street up to Lewis’s along a street resembling the set of a 1960s kitchen sink melodrama, when they can instead take the
crossing outside the station into the pedestrian zone?
Perhaps some city leaders need to walk this walk, as well as talking the theoretical talk about the local infrastructural wonders we can soon expect.
Support the positive
There will always be brave souls who find a way forward. Fleur Hair and Beauty, previously located in the now-collapsing Lewis’s department store, has taken a walk across the road to the Adelphi Hotel Health Club, where the business can re-consolidate. No doubt there are others too who have faced the future and re-grouped.
Things are never static, especially in the world of enterprise, and to some extent this is good. That, however, does not excuse the failure of city local leaders to address problems which are beyond
the control of all but the very largest businesses.
Challenging market conditions
This is a city with more than the usual proportion of small and medium sized enterprises (compared to large ones – but still low in proportion to the public sector). These SMEs, often owned and run by individuals who actually live in Liverpool, have little slack in their business plans to accommodate civic laxity.
Not all businesses are equally effectively run, but Liverpool can’t afford the luxury of just letting private sector interests go to the wall without any support.
Nurture the positives
As I have said before, Regeneration Rule No. 1 has to be:
First nurture the positive assets you already have.

It’s not just the interests of visitors to our 2007 and 2008 celebrations that we must protect. The concerns of local workers and entrepreneurs are also core.
They, after all, are the people who hope still to be here in 2009.

FleurVaughan150x224.jpg Fleur Health & Beauty
Spindles Health Club
The Britannia Adelphi Hotel
Ranelagh Place (Renshaw Street)
Liverpool L3 5UL
0151-709 7200 x 044

And a happy PS: Fleur has now re-opened her salon in the ‘rescued’ Lewis’s, to run alongside the Adelphi salon – Lewis’s, Ranelagh Street, 0151-709 7000.

What’s The 2008 Liverpool European Capital Of Culture Year For?

Four dots Markings 140x55 030bb.jpg Liverpool ‘s 2008 European Capital of Culture Year will be upon us in just a few months. But deep divides remain between artists, civic leaders and many local people about what the 2008 Year is ‘for’.

Alex Corina has taken the plunge into controversy on developments with the Liverpool’s plans for the 2008 European Capital of Culture Year. He’s reinvented Edvard Munch’s The Scream as The Liverpool Scream, just as in happier times he produced the Mona Lennon.
How do we measure success?
Despite the intentional playing to the gallery in all this, there is a very serious issue to be considered here. It concerns the rationale/s which lie behind the 2008 culture programme.
For many (not all) in the Culture Company I gather that one of most important ‘real’ ways that success will be measured in 2008 is number of tourist beds (i.e. overnight stays) which are achieved during the year.
The local artists’ perspective

I can see why this is a significant measure, but it’s not the message which most ‘community arts’ people in the city want to prioritise. They, like some Culture Company officers, seek to develop their communities by using ‘culture’ as a socially helpful way to bring people together.
This is however obviously much harder to measure and has less immediate impact on the seriously challenging sub-regional economy (though longer-term it would be good).
A view from cultural institutions
And then of course there are the ‘high arts’ bigger organisations which no doubt see the major outcome for themselves as being numbers of tickets sold for shows, concerts, whatever.
Again, a very valid perspective, and we need to recognise that if these organisations were not to benefit from 2008 ‘celebrations’
they would be in serious trouble in 2009 – which would mean the loss of many very accomplished artists and performers who currently work in the city(but often choose not to live here because the additional employment opportunities are so much better in, say, Manchester – see below).
Nurturing home-based professional artistic talent?
But the requirement to sustain the big arts organisations, though vital for Liverpool’s future status, still ignores the need – not at all as yet recognised as far as I can judge – to support locally-based fully trained and professional artists and performers with very high levels of skill who want to work in the city simply as artists and performers, not as community-based animateurs.
An edgy approach
This may be difficult when, for instance, the new Liverpool
Commissions
stream requires that applicants offer something wacky and on the edge; which is good for some, but sounds absolutely daft if you are a historically-inclined fine arts person or a classically trained musician.
Playing to the local Liverpool gallery, which prides itself on being on the edge, is understandable, but it won’t impress many others from elsewhere; and why aren’t local professional artists being respected as artists in their own right – or so it might appear – in the same way as visiting ones?
I have already asked How Will We Know That Liverpool 2007 & 2008 Were Successful? And that debate continues.
At least three views?
In the meantime, I’m still not sure what the answers might be, but they seem to coalesce around the three views above:

1. tourist spend / beds
2. community cohesion and capacity building
3. (potentially) retention of high-level artistic skills in the city
Where’s the dialogue?
Unfortunately however there seems to be very little dialogue between those who promote each of these perspectives.
Indeed, I’m not sure it’s possible to do this under the present ‘consultation’ arrangements, with occasional meetings of large numbers of people – professional artists and others with very different experience together – in sports halls and the like.
Bringing the issues into focus
If Alex Corina’s current activities can help everyone to focus on
the ‘what’s 2008 for?’ message whilst there’s still at least a little bit of time left, that will be excellent.
As a city resident I’d like to see everything succeed so that proposed cultural ‘villages’, respected highly-skilled professional artists and performers, and our tourist trade all flourish ; but we’re still a way from achieving this.
A matter of urgency
The dialogue does need to be getting somewhere, and pretty quickly, please.

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Cherry Blossom For May Day In Sefton Park, Liverpool

The cherry blossom in Liverpool’s Sefton Park has been very early this year; it has already offered much delight to those who stroll along the middle lakesides, the blossoms pink, cream, white and even cerise. But one tree is still in glorious full bloom as we reach May Day eve.

See also: Sefton Park’s Grebes And Swans
Liverpool’s Sefton Park, Swans, Herons And Grebes

Sefton Park, Liverpool: Winter Solstice 2006
Friends Of Sefton Park

Prague Old Town, Celetna Street

Prague Old Town Ceramics Shop (small) 70x125.jpg Controversy has arisen about how much of a contemporary style Prague’s Old Town (Stare Mesto) should have. Modern commercial pressures inevitably vie with the demands of centuries of architectural tradition. Brilliant sunshine here blends these features into a whole.
Prague Stare Mesto Celetna Shop Window, late afternoon 480x613.jpg

See also:
Camera And Calendar
Snowstorm And Magic In Prague At Night
Impressions Of Prague
Carbon-Neutral Villages, British And Czech Alike

SuperLambBanana

Yellow Lamb Banana's tail 06.8-9 072a (85x104).jpg SuperLambBanana may be kinda cute, but, made of steel and concrete and 17 feet tall, he’s no lightweight. Created in 1998 by Taro Chienzo for the Art Transpennine Exhibition, he abides in Liverpool city centre, be/amusing all. He’s been Friesian (black and white), pink and sometime graffitied, but ‘really’ he’s yellow.
Super Lamb Banana (Tara Chienzo), Marybone Liverpool

See more photographs of The City of Liverpool here: Photographs of Liverpool & Merseyside;
and photographs of elsewhere, here: Camera & Calendar
Click here for more information on Super Lamb Banana, alias ‘Superlambanana’.

Big Ships And Big Ambitions For Liverpool

Mersey ship from Old Hall Street Feb 2007 4069a (99x147).jpg There’s much emphasis in city centre regeneration on Liverpool’s waterfront. Plans for great ship visits are vital to the city’s resurgence; as are plans to improve the city’s road system. This photograph, taken today (7 February 2007) near St. Nicholas’ Church in the business and commercial district, gives a glimpse of what may be to come.
Ship on the Mersey, Liverpool city centre reconstructed 2007 4070 (480x360)a.jpg