Blog Archives
Liverpool Metropolitan Cathedral Of Christ The King
Sometimes the sun seems to beam right along Liverpool’s Hope Street as though it had a special route to the heart of the city. When dark clouds lie behind the Cathedral, the effect of this noonday shaft of light is dazzling.
See more photos of Liverpool’s Cathedrals and celebrating communities on Hope Street href=”http://www.hilaryburrage.com/hope_street_liverpools_cultural_knowledge_quarter/liverpools_two_cathedrals/”>here [Liverpool’s Two Cathedrals] and below….
Read more about Hope Street Quarter.
Information on Liverpool Metropolitan Cathedral is available here.
See also photgraphs at Calendar & Camera and Liverpool (Anglican) Cathedral.
Liverpool 2007 And 2008 – Different Emphases, Similar Opportunities?
Liverpool is excitedly preparing for its big years in 2007 (the city’s 800th anniversary) and 2008 (the European Capital of Culture year). With such a long and dramatic history of diaspora, who knows what the city will be like by the end of the celebrations? The scope for enterprise – both in Liverpool and by other cities and regions – to build relationships across Europe and beyond is enormous.
BBC Radio 3 hosted a fascinating Free Thinking event in Liverpool’s FACT building last weekend, with presentations, discussions and performances by an impressively eclectic array of debaters and artists. And, perhaps appositely, the very next day the City launched its initial plans for the 2008 European Capital of Culture year.
One of the sessions at the BBC event focussed on the question, ‘Is Liverpool an English city?’. ‘Everyone in the country knows Liverpool is special – and unique,’ says the blurb, ‘but do they secretly mean it’s “unenglish”?’
Sadly, I couldn’t be at the debate, but it’s an interesting question – and one that, although I’ve lived in Liverpool for over three decades, I’d find difficult to answer. All of us have only one shot at life, so comparisons are difficult, but is it usual for people who have been resident in a place for over a third of a century still to be asked where they ‘come from’?
Ports are meeting places for the world
Working up the hill, away from the ports in the education and cultural sectors, it actually took me a while to realise that for some of my fellow citizens, Liverpool’s maritime history is the city’s autograph feature. Indeed, until the Heseltine interventions in the 1980s it was not even possible really to see much of that history. At least the reclamation of the southern docks for retail and leisure use (the Tate Gallery and Maritime Museum are situated there) helped us to see what an important port Liverpool was – and in fact still is, for freight rather than passengers.
So Liverpool is cosmopolitan in a particular way. In the mid-eighteenth century that one port was involved with 40% of the world’s trade. Liverpool is therefore home to many whose predecessors reached the city by sea, or who in some cases had intended to travel onwards, but halted when they got this far.
We have communities of several generations from the Caribbean and parts of Africa, from China (Liverpool’s China town is a large and important feature of the city) and the Indian sub-continent, who travelled from the West; and, from Eastern and Central Europe, reached us from the East. With these historic influxes has come of plethora of religious and cultural understandings – Muslim, Sikh, Jewish, Orthodox and many others.
Ireland and Continental Western Europe
What is less evident in our overt cultural mix is the direct influence of Southern Europe – though it is certainly there, especially in the sometimes overarching ethos of Roman Catholicism and Southern Ireland (Eire). And then there is the strongly Protestant Orange Order influence of Northern Ireland (Ulster), whose descendants in Liverpool, like their southern counterparts, have traditionally lived siloed in tight-knit communities with little knowledge or tolerance of other ways of seeing the world.
As is well known, the clash of Southern and Northern Irish influences (Catholics ‘versus’ Protestants) was only be resolved when, in the 1980s and ‘90s, the leaders of Liverpool’s two great cathedrals (Bishop David Sheppard and Archbishop Derek Worlock) by their personal example called time on this damaging friction.
Liverpool 2007 – 800 years and proud of it
Given the particular diasporas from which Liverpool has benefited historically, it will be fascinating to see what the city can make of its opportunity to shine on the world and European stage in 2007 and 2008. There are a number of factors here, even apart from the celebrations as such, which should enhance the opportunities for Liverpool at this time – amongst them, the massive privately funded Grosvenor ‘Liverpool 1’ commercial development (at £950 million reputedly the largest project of this kind in Europe) which is currently taking root in the heart of the city centre.
The 2007 event will celebrate Liverpool’s 800th Anniversary. (The city’s charter was signed in 1207.) This surely is the opportunity of a lifetime to acknowledge and embrace the rich and diverse cultures and traditions of the city, to look back at our past but also forward – not only to what follows in 2008, but also much further into the future.
This is in a very real sense ‘Liverpool’s year’, a ‘birthday’ (as the locals insist on calling it) worthy of pulling out the stops. 800 years as a city, even if others can also claim it (Leeds’ charter is also dated 1207), is an important milestone.
The birthday party will be for the people of Liverpool. Others will be very welcome to join us – what’s a party without honoured guests? – but the style, the scene itself, needs to be determined by those, the citizens of Liverpool, whose ‘birthday’ it is.
Liverpool 2008 – European Capital of Culture
But what does Liverpool’s history mean for its year as European Capital of Culture? It has consistently been said that it was ‘the people’, Liverpudlians themselves, who won this award. Is there a danger that 2008 could be ‘more of the same’, an extension of the scenario for 2007?
If we return to our first question, is Liverpool “unenglish”?, we need to note that, so it is said, some 60% of Liverpudlians have never even been to London (and I’d guess that maybe 90% of people living in England outside the North West have as yet never been to Liverpool).
Given this situation, we must ask how many of the citizens of Liverpool so far have a real knowledge of Europe outside the influences we have already noted? How many are fluent in other European languages? How many have business or other formal connections across Europe? The answer is surely that here is a city at the start in every way of its journey into the twenty-first century.
Unique opportunity
Liverpool 2007 / 8 offers a unique opportunity to establish two-way connections with the city. The very next day after the BBC debate on Liverpool’s ‘englishness’ or otherwise, the city launched its initial programme for the 2008 year with a grand civic event in St. George’s Hall, and another one in London for the wider world. 2007 is for Liverpool; 2008 is intended for the world,
2008 offers business and cultural entrepreneurs from around Europe and beyond a real chance to establish themselves in the city, whilst Liverpool’s eyes are firmly fixed on the global stage – and, we hope, theirs on us.
The full extent of the outward-facing Liverpool ‘offer’ for 2007 and especially 2008 remains to be seen – there is increasing confidence that something interesting and worthwhile will be made of these unique opportunities.
The scope for inward investment, connection and synergy with elsewhere is however already established as truly enormous.
Here is a city ripe for growth of every kind, and increasingly ready to jump at the chance. This is a virtuous circle for anyone enterprising enough to recognise it.
Global players
Whether Liverpool is “unenglish” we must leave the BBC debaters to determine. Whether that same city is now positioned once again to take its place as a major player at the European and global levels we can answer for ourselves.
The answer is Yes.
And, in contrast to the last time Liverpool was a great trading city, when the odds were stacked against ‘outsiders’, this time Liverpool will be trading on an even playing field with its external partners.
~ ~ ~ ~ ~
This article is also published (as Liverpool: Ripe For Growth in 2007 And 2008) on the European Renaissance website.
Will Merseyside Miss Out? The Gormley Statues And The Theatre Museum Are Must-Haves.
Sefton Council says Antony Gormley’s Iron Men may soon leave Crosby Beach. The national Theatre Museum, which it has been mooted should come to Liverpool, has yet even to be considered by the City Council. Where’s the cultural leadership and vision which could mark Merseyside as a fascinating place to visit?
Here we go again. The cultural drag, if I may call it that, which afflicts so many places is once more theatening to relegate our sub-region to the ‘might have beens’, a place which could have been braver and better.
In just one evening last week (on Wednesday 18th October ’06) Liverpool City Council took the extraordinary decision not even to discuss a motion about how the city might acquire the national Theatre Museum, whilst on the same evening Sefton Council voted not to keep Antony Gormley‘s one hundred Iron Men on Crosby Beach.
There is a real danger that we on Merseyside will end up looking as though the last thing we want is to support culture, just at the time when the mantle of European Capital of Culture is about to be ours.
Time is short
The Daily Post and others have already started a campaign to reverse the Gormley statues decision, with some success already. It is now necessary for others to ensure that Liverpool Council does the same, and makes a real effort to bring the national Theatre Museum to Merseyside …. of, if they can’t, for someone esle to do so The benefits of doing this are clear and have already been discussed on this website.
The reputation of Liverpool and Merseyside in 2007/8 rests on imaginative and forward-looking leadership and real vision in culture and the arts. It’s time everyone in Merseyside pulled together on this.
Read more articles on the National Theatre Museum.
John Belchem’s ‘Liverpool 800: Culture, Character & History’ (1207-2007)
For three years Professor John Belchem and his University of Liverpool colleagues worked on a scholarly publication to record Liverpool’s eight hundred years as a city (1207 – 2007). Academically impressive, the book offers vibrant testimony to the human actions and achievements behind the dry facts – just as those attending made the official launch of this publication, in the setting of Liverpool’s splendid Town Hall, such a warm and memorable occasion.
Liverpool Town Hall is always a spectacular venue in which to celebrate a special occasion. It reminds us vividly of what the City of Liverpool must have been like in its prime, and what indeed it could still be again.
Nowhere, then, could have been more appropriate as a location for the formal launch on 18th October 2006 of Liverpool 800: Culture, Character & History, the University of Liverpool Press book edited by Professor John Belchem about the first eight hundred years of this sometimes infuriating and always fascinating city. Liverpool is on the verge of another momentous era in its long history, as 2007 and 2008 approach. (You can see just some of the many special aspects of Liverpool life and legacy in the books listed immediately below this article.)
Liverpool 800 is an impressive publication which charts as honestly and openly as it can the ways in which Liverpool has progressed over the past eight centuries, from its ‘small beginnings’ in 1207. As the book’s back cover reminds us, Liverpool rose, not always by admirable means, to become one of the world’s greatest seaports, so that by 1907 it was the second city of the empire. But what happened thereafter resulted in a vastly different prospect for this enigmatic city. John Belchem’s book, in charting the rise, fall and we trust rise again of Liverpool, will I know be a big hit; and I hope it will also offer a focus for just how we can now move forward to a second period of success and (this time, benign) global influence.
New friends and old
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Not withstanding the importance of the occasion, one of the nicest things about the Liverpool 800 launch was much simpler than all this. It was, as on other similar occasions, an excellent opportunity to catch up with friends old and new.
In the course of the evening I chatted with many people, including the Lord Mayor, Councillor Joan Lang, with whom years ago I sat on the City Arts Festival Committee, as well as those stalwarts of Liverpool’s civic history, such as John Vaughan, a local historian, now retired from the University of Liverpool Libraries, Christina Clarke JP, a ceaseless advocate for the preservation of our built heritage, Dr Peter Brown, chairman of the Merseyside Civic Society, and Andrew Pearce, at one time an MEP for Merseyside and now chairman of the Liverpool Heritage Forum. Others with an impressive knowledge of our civic heritage whom I know from the Liverpool Echo Stop the Rot campaign were there too.
In the same room, also chatting happily with everyone assembled, were people such as Rodney Holmes of Grosvenor,
who is in charge of our huge new Paradise Project ‘Liverpool One’ commercial development, and others from the University of Liverpool, the Liverpool Culture Company and the City Council, all in their day jobs busily engaged in promoting our future prospects as a city.
And then there were folk ‘from the community’ such as Tom Calderbank and his wife, who have worked so hard to raise the profile of places like Toxteth Town Hall and The Belvedere.
In all, a richly diverse assembly of people, with their varied focuses on the past and the future, to celebrate the richly diverse history of our city.
A history which brings us together
I could go on, but lists are never complete and after a while inadvertent omissions start to become obvious. However one looks at it, this book launch was an event which brought together people from many parts of Liverpool.
But of course the main person on this occasion was the man who with his co-authors has seen it through from beginning to end, linking all these varied threads into one cohesive whole. John Belchem spoke to us about his book without notes and with much passion. It was good to see him so delighted with the interest in, and support for, his finally completed project.
A welcome message
John’s theme when he addressed us was one to which we can all subscribe: History tells us, he said, that Liverpool has always thrived on celebration. The city’s fortunes prosper when, whatever the reason, there are parties and festivities to be had! The launch of Liverpool 800: Culture, Character & History, in our fabulous Town Hall, was an excellent practice run for what we all hope will also be an outstandingly excellent couple of years for Liverpool, in 2007 and 2008.
Will The National Theatre Museum Come To Liverpool?
Sometimes things move quickly. The proposal to bring the national Theatre Museum to Liverpool when it closes in London seems to be one of these times. Just ten days after being mooted on this website, a proposal to take action will be debated tonight by City Councillors in Liverpool Town Hall.
The idea of the national Theatre Museum (the National Museum of the Performing Arts) coming to Liverpool took a step forward this morning, when the proposal first posted here ten days ago appeared as an article in today’s Daily Post.
Liverpool City Councillors Joe Anderson, Paul Brant and Steve Munby (Labour) will this evening put a motion entitled NATIONAL THEATRE MUSEUM to full Council, proposing that:
Council notes that the national collection of performing arts memorabilia, at the Theatre Museum in London, part of the Victoria and Albert Museum, is to be dispersed when the Theatre is closed in January 2007.
Council calls on the Leader to explore the possibility of bringing it to Liverpool to develop as a special national element of our celebrations in 2007 and 2008? Liverpool has a great tradition of theatre, opera and the performing arts in this city, and the V&A could open the revived exhibition as a ‘V&A in the North’, as the Tate has done with Tate Liverpool.
To the national exhibition we could explore adding the archives of our own theatres, the Royal Liverpool Philharmonic Society’s archive and the history of Hope Street, Liverpool’s performing arts quarter.
Progress indeed
I am very hopeful that the motion will be carried with cross-party agreement, since Cllr Mike Storey (Liberal Democrat), Liverpool’s executive member for special initiatives, has told the Daily Post that he would support examining such a move for the Theatre Museum collection, and Cllr Steve Radford (Liberal Party) has also indicated his general support to me.
This is how we in Liverpool should all be working when it comes to the arts and culture. HOPES has produced, and the politicians have made progress with, a potentially good idea which would enhance parts of our civic ‘cultural offer’ in a very positive way. Just as with the development of the Hope Street Public Realm works, I hope we can deliver here something which involves both public and community voices in a virtuous circle, and so secures added value locally, regionally and even nationally.
We await the outcome of this evening’s Council Meeting with interest….
Read more articles on the National Theatre Museum.
Hope Street Farmers’ Market Is Deferred – But Why?
The Farmers’ Market scheduled for Liverpool’s Hope Street today has been cancelled because of pressures on officialdom. This is not a new scenario when it comes to efforts to enhance the local community’s engagement and enterprise. What could those ‘in charge of granting permissions’ do to prove themselves, rather, as partners and enablers?
The Daily Post this morning reports that the intended monthly Farmers’ Markets in Hope Street (third Saturday of the month) willl now begin in November, not today. After two very successful test runs (last October and during this year’s Hope Street Festival – though why not as we suggested before then, I don’t know) there was a real head of steam for the event today. People just love markets, with all their variety and colour!
But it seems the authorities can’t cope… not enough time for the policing (in Hope Street? – probably Liverpool’s most sedate throughfare till now at least), not enough notice, and so forth…. and the Farmers’ Market organisers, Geraud Markets, are upset.
Not a new problem
Sadly, this ‘not enough notice’ and / or ‘can’t be done without big payments’ scenario is not new. It caused the delay of this year’s Hope Street Festival, originally planned for June, and it has been the undoing of several other events along Hope Street (as well, I suspect, as elsewhere).
It is fair to say that perhaps Geraud Markets, who have a joint venture arrangement with the City Council, might well have made appropriate contact with the authorities earlier – they are a big organisation – but that doesn’t really explain the history of City Council ‘can’t do’ which seems to overarch so many attempts to engage and involve people in our local community. The thwarted efforts are too many to list here.
Basic objectives put aside
Whether you look at the very worthy stated objectives of the Farmers’ Markets joint venture with Liverpool City Council, or at those of much smaller organisations such as HOPES: The Hope Street Association, you will find a serious intent to improve the health, environment, general quality of life and enterprise climate of our Quarter.
The City Council may well claim to endorse these fine words – and individually some of its officers certainly go the extra mile in doing that – but overall their actions speak don’t do much to demonstrate the commitment when it matters.
Supporting local communities – or not?
The question that perhaps those in charge at Council HQ have to ask is, ‘What are we actively doing to help? And is it actually enough?’ No private organisation or individual is obliged to support the enterprise and engagement of Liverpool communities, and some of us feel sorely tested. But it seems the message still isn’t getting through.
London’s Theatre Museum Is Closing – So Why Not Bring It To Liverpool?
The national collection of performing arts memorabilia, at the Theatre Museum in London, is to be dispersed when the Museum is closed in January 2007. So why not send it instead to Liverpool, as a ‘V&A Liverpool’, and let us up here have it as a very special part of our 2008 European Capital of Culture celebrations?
The sad news this week is that London’s Theatre Museum is to close. Its home in Covent Garden near the Royal Opera House is to be no more, and its exhibits will be dispersed by its parent body, the Victoria and Albert (V&A) Museum.
A loss for the arts world, and everyone else
I’m sure there will be knowledgable people who will conclude that the merits or otherwise of the Theatre’s exhibits justify this decision, but to me it seems shocking. I visited it quite recently for the ‘Unleashing Britain – Ten years that shaped the nation: 1955-1964’ exhibition and, as I reported on this weblog, I found the whole place fascinating.
Perhaps the Theatre could be said to have been its own worst enemy, insofar as it always look closed even when it’s actually open – the doors seem blank and much of the exhibiiton is ‘below stairs’, in a wonderful but not-visible-from-the street warren of tunnels and small rooms; but the external visibility problems could easily have been resolved.
A bright idea?
However, if people in London don’t want the Theatre Museum collection as an identity, I have an idea…. Why not bring it to Liverpool for us to enjoy, and to develop as a very special national element of our celebrations in 2007 and 2008? We have a great tradition of theatre (and opera) in this city, and the V&A could open the revived exhibition as a ‘V&A in the North’, as the Tate has done with Tate Liverpool.
And to the national exhibition we could of course add the archives of our own theatres, the Royal Liverpool Philharmonic’s archive and the history of Hope Street, Liverpool’s performing arts quarter.
There’s just about time to get the ball rolling, if we all started to work on this now. It would be a superb asset for Liverpool, and would keep the national exhibition in the public eye, when all our vitiors arrive for Liverpool’s 2008 European Capital of Culture Year. We have plenty of large buildings which could be put to good use in this way, and surely the maintenance costs could be found from somewhere, just as they will have to be if the artifacts stay in London anyway?
Benefits all round
If London really doesn’t want to keep the Theatre Museum as an identity, here’s an opportunity for them to do something really good as partners to help us ‘up North’ to gain even more value from our special years in 2007 and 2008, and beyond.
Read more articles on the National Theatre Museum.
Penny Lane, Not Any Lane (Liverpool)
Penny Lane in Liverpool is one of Liverpool’s most famous streets. How sad then that the high hopes of this community have been dashed so many times, as they try to secure their dream of a Millennium Green and a Centre for visitors and locals alike. A decade waiting is quite long enough. Now there must be some action.
Ten years is not a long time in the life of a city, but it can be in the life of a community. In that time people can arrive and depart, have families or see their youngsters leave. Many things determine the likelihood of any of these events, not least changes in the tone and appearance of that community’s actual location.
These thoughts came to mind as I recently made a visit to Penny Lane, that part of Liverpool’s inner suburbs, not far from my own home, which has been immortalised by our most famous sons, the Beatles.
Does it have to take a decade?
Ten years ago local residents decided they would like a Millennium Green and a Centre for locals and the many visitors, on the Grove Mount site of fairly undeveloped land along Penny Lane. After much hard work they secured a promise of such an amenity as long as they were able to secure the land and produce a sensible business plan. As part of the celebratory activity following this promise, I took ‘before’ photographs of the area – which I had hoped would swiftly be superseded by the ‘after’ photos.
Three cameras and thousands of photographs later, I’m still waiting.
The City Council has made various vaguely encouraging noises over the years, but nothing of substance seems to be happening. The field still hosts very occasional children’s football matches, but is if anything is more derelict than before. It is strewn with litter and worse; and the building in the corner is in a serious state of collapse.
Community impact
Unfortunately, much the same can be said of some people in the local community. Local youngsters (by no means a majority of them, but enough) use the field to hang out, disturbing and worrying other residents, whilst those who campaigned for the Millennium Green hand on grimly to their dream, never having imagined when they began that so much later still there would be no evidence of success.
Is this the way to treat people who give whatever they can of their time, imagination and enthusiasm in trying to improve their community?
People Power
Someone once said that a theme to which I consistently return is People Power. Too right, if what is meant by that is respecting and helping decent folk to maintain the areas in which they live. This, in my books, is a requirement on us all.
For now, the only satisfied ‘resident’ of the proposed Penny Lane Millennium Green is the cat who suns himself on the entrance pillars to this sorry, derelict site. I really hope that before long the powers that be will get a grip, and that, before the humans decide to give up completely, this happy little felix will have to relocate.
Hope Street, Liverpool: History And Festivals (1996 – 2006)
The Hope Street Festival in Liverpool, delayed from Midsummer, was on Sunday 17 September. This exciting milestone in Hope Street’s history, introducing of a start-of-season early Autumn ‘Feast’ to go in future alongside the Summer Festival, is however neither the beginning nor the end of the journey.
Liverpool’s Hope Street Festivals And Quarter (1977 – 1995)
The first Hope Street Festival was in 1977, to mark the Silver Jubilee of HM The Queen. The next event, marking the Centenary of the Incorporation of the City of Liverpool, was in 1980. There followed a period of great concern for the cultural fortunes of Hope Street.
During the 19803 and into the ’90s Hope Street’s cultural institutions were in great peril. From this time of peril however, in the early 1990s, emerged a community-led campaign -The Campaign to Promote the Arts on Merseyside (CAMPAM) – to ensure that Liverpool kept its flagship organisations; and from CAMPAM in turn emerged HOPES: The Hope Street Association, the registered charity which was to seek renewal of the Quarter and which was later to resurrect the Hope Street Festivals.
The original Hope Street Festivals were organised in 1977 and 1980 by a group of people who included Stephen Gray OBE and Andrew Burn, then managers at the Royal Liverpool Philharmonic Society, as well as the late Adrian Henri, one of the founding Liverpool Poets, and other local artists and restaurateurs such as Berni Start of Kirklands Wine Bar, and Paddy Byrne of the Everyman Bistro.
Talking to people in Liverpool today, many of them recall the 1977 event as tremendously exciting, taking part as school children in one of the most massive pageants imaginable – 17,000 participants enacting eight scenes depicting the four seasons along the length of Hope Street, from one cathedral to the other. (As those then involved will tell you, some children even had to run from one point to another, to enact different parts of the pageant!)
In both 1977 and 1980 there was much support from the business community. The list of sponsors contains names which sometimes take one down memory lane: Leighton Advertising of 62 Hope Street, Modern Kitchen Equipment of Myrtle Street, Ford Dealers J. Blake and Company of Hope Street, , WH Brady of Smithdown Road, Girobank, Littlewoods, Radio City, and Higsons Brewery amongst them, alongside further flung organisations like the Chester Summer Music Festival, Welsh National Opera, Theatr Clwyd and even Decca, who recorded much Royal Liverpool Philharmonic Orchestra (RLPO) music during that time… Strange to say, the first three businesses are now lost to Hope Street; but most of the others of course remain as current concerns in Liverpool. As we shall see, it was in part an enthusiasm once more to energise the business community in Hope Street Quarter which led to the resurrection of the Hope Street Festival in 1996.
1977 – The Queen’s Silver Jubilee
The 1977 Festival was centred on celebration of the visit to Liverpool of Her Majesty the Queen, during her Silver Jubilee tour of the United Kingdom. Malcolm Williamson, Master of the Queen’s Music, wrote a pageant entitled The Valley and the Hill, to be performed in Hope Street on 21st June. (I know; I made thirty children’s ‘sheep’ costumes for the performance, whilst on a teaching practice!) This was recorded in 1983 with a choir of 2,000 local school children and the Royal Liverpool Philharmonic Orchestra (my violinist spouse was there…).
The 1980 Hope Street Summer Festival
Then there was another Hope Street Festival in 1980, directed once more by Stephen Gray as General Manager of the RLPS, with his colleague Andrew Burn – again an impressive programme of concerts, talks and other events by leading performers and commentators, including the Allegri Quartet, Christian Blackshaw, John Cage, <a href%3
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