Category Archives: Liverpool And Merseyside

May Day

08.05.20 Sefton Park 028a 120x72.jpg May Day has been with us for centuries. Its overt meanings, and even the actual date, may change, but the sense of taking a day to do something different and more personal remains. People in every age and every part of the world have welcomed the onset of Summer and the chance to throw a party.
It’s May Day today. The first of May, that unequivocal date which, unlike the contested first day of Spring (is it the vernal equinox on 20/21 March, or the newer BBC version on 1 March?), is firmly set in the European calendar.
When I was small I genuinely thought that May Day was about Morris Dancers and Maypoles. We lived in villages in Hampshire, Wiltshire and then Gloucestershire, and my father was a rural science teacher who took his local community involvement seriously – so we all enjoyed a flavour of the festive rituals of many centuries, and are none the worse for that.
Holding on to traditions and ideas
I suppose that in some ways that was the end of a very long period in history, already mostly shattered by global stife and the increasing grip of technology. Looking back, it might be seen as idyllic, though that it certainly wasn’t; give me double glazing, wider horizons and lots of running hot water any day.
But there are vestiges of the ‘old’ May Day way of life which still resonate. The festivals (May Day, Harvest and what have you) were unselfconscious and for everyone. Our understanding of the seasons and cycles of the earth – I learned about crop rotation at a very early age, and about its history back to mediaeval times not much later – is something which still informs my perceptions, albeit now in terms of eco-systems. And the things we did were family inclusive; sometimes overly so, but at least everyone was there.
New meaning for old ideas
Only after I came to the city did I learn that there was also another ‘meaning’ to May Day – its use, on the first Monday of May, as a celebration of workers’ rights. Thus, 1 May 1886 in the United States saw the very first International Workers’ Day…. not to be confused with 1 September, which after historical debate is now set in America as Labor Day.
Such reinvention of celebratory events is not however confined to the U.S.A. In Liverpool since 1978, when the date first became a Bank Holiday, we have seen the first Monday in May used to underpin general festivities, to recognise Trade Unions and, occasionally, to celebrate shire horses. The scope is huge in a place with such long historical links to labour, but also with wide-open spaces such as Sefton Park right by the city centre.
Modern May Day
Activities this year for May Day are a million miles away from my hazy childhood recollections. There range from a demonstration in London to promote a Trade Union Freedom Bill, to a grass-roots Labor Arts Festival in Edmonton, Canada and a Maypole event at Liverpool’s Tudor half-timbered Speke Hall and Morris dancers (yes!) outside our wonderful St. George’s Hall, via big marches and strikes across the U.S.A. in favour of regularising the status of illegal workers.
Thus morphs the traditional May Day in a more politically conscious era, whether the objective be workers’ rights or a determiniation to see celebration through the arts of community in a more fragmented world. We can only be glad, whatever the detailed argument about the causes espoused, that people still see fit to make the effort.
We have lost much of the original understanding of May Day, and I’d guess that many people active today are not even aware of its historical roots. But things change only in some ways. For every person involved in worthy trade union activity today, there are probably still hundreds carrying on the original idea behind May Day, taking a day off work and getting out their lawnmower or barbecue set, as they prepare for some family’n’friends time in the garden.
Let’s hope the sun shines for everyone, demonstrators, gardeners and revellers alike.

Wirral’s Ness Gardens: A Place To Learn Whilst You Enjoy

Ness Gardens (small) 11.8.05 002.jpg Ness Botanic Gardens, owned by the University of Liverpool, are a delightful example of how learning and enjoyment can come together. They are the creation of a cotton merchant who wanted to share his absorbing interest in plants from across the world (and especially from the Himalayas) with the people of his hometown, Liverpool. This work, begun in 1898, continues to prosper to the present time.
Ness Botanic Gardens are on the Wirral near Chester, away from the River Mersey facing the splendid windswept views of the Dee Estuary which overlook the North Wales coast. They offer delightful views which take one back to more pastoral times, and include the habitats of many species of birds and wildlife.
Ness Gardens 11.8.05 005.jpg This apparent tranquility and timelessness has not however prevented some very forward-looking management on the part of those responsible for the site. Just this week (14 April 2006) saw the opening of the new Horsfall Rushby Visitor Centre, designed alongside a wider programme of development to encourage year-round enjoyment of this special location.
Where academic excellence meets family fun
The story of the Gardens is both unusual and enlightening. They were created by a Liverpool cotton merchant, the Fabian Arthur Kilpin Bulley, who wanted to establish in Britain the ‘new’ Himalayan and Chinese mountain plants he had funded the plant explorers George Forrest and Frank Kingdom Ward to discover . And so in 1898 began the adventure which was to become Ness Gardens, a place of elegance and education, as it welcomed vistors from near and far.
In 1942 Arthur Bulley died and left his ever-expanding Gardens to his daughter Lois (1901-1995), who presented them to the University of Liverpool in 1948, with an endowment of £75,000 per annum on the understanding that they be kept open for the public. Her intention that this beautiful place continue to fascinate and inform both young and older people is reflected in the current Visitor Centre, scientific programme and educational developments.
Journey of discovery
Ness Gardens 11.8.05 008.jpg Our own involvement in Ness Gardens began back in the 1970s, when a reseach student friend at Liverpool University experienced what, at that time, seemed like a cruel blow. He had been assiduously observing a derelict site in the city centre to find out what sort of road-side plants and grasses best grew on such unpromising terrain when, because of a misunderstanding by a Council employee about location, a ton of topsoil was dumped on his experimental venue. The anguish was terrible – should there be an official complaint because the experiment was ruined; or should there be celebration of the act of reclaiming the derelict site for better use, albeit by mistake?
Resolution of this dilemma arrived in the form of an offer to recreate the dereliction by transporting a huge load of rubble to a fenced-off location at the edge of the University’s Ness Gardens. Our humble role in this adventure was occasionally to give our friend a lift over to the site to continue his work. The experiment was repeated, the results brought forth much in the way of understanding how to use grasses to reclaim land, the young scientist’s career was launched to great acclaim – and we became regulars at Ness Gardens.
The research and development continues
The striking thing about Ness Gardens is that, not only does it change dramatically with the seasons, but it has consistently expanded and grown over the years. The Gardens have spread across much more of the site, with a growing number of areas of specialist interest (the latest is the ‘Prehistoric Garden’ just created from an existing clay marl pit); and the world-class science has similarly developed over time.
Here is a place always worth the journey, where there is a conscious intention to deliver first-class research in the context of a welcome for everyone. Support the Friends of Ness Gardens if you can – and be sure to visit their new Centre and see the Gardens for yourself.

Good News On Hope Street

It has been over a decade since the campaign to renew Liverpool’s Hope Street was first mooted; but now at last we’re almost there. To mark the event, all the partners involved have agreed to host a day in June [later deferred to Sunday 17 Septmeber ’06] of arts-based celebration on the street. The arts, as ever, will give us common cause and help us to enjoy together the space which we have all been hoping to see refurbished for so long.
Today marks a new phase in the development of Liverpool’s Hope Street Quarter.
It may not have looked much to the casual observer – just a handful of people talking about an event in June. But to me it seems really significant: we, that is HOPES: The Hope Street Association and Liverpool Vision and the City Council have agreed to co-host a celebration of the completion of the Hope Street refurbishment, open to all who want to be there, and acknowledging the very complex partnerships which we have had to nurture over the past few years to get to where we are today.
The arts as common ground
Here, if ever there was one, is an example of how people coming from very different places can find common ground – a particularly apt metaphor in this instance – through the arts and community activity. If everything goes according to plan, mid June this year will see people from many communities sharing a friendly, family, fun event in Hope Street, enjoying the many ways in which we can all become involved in arts and community activities. [Later note: the event eventually came about on 17 September ’06, as part of a wider Hope Street Festival Day.]
The connectivity is why this event is so important for me. On the one hand we have very large organisations – the North West Development Agency in this instance – and on the other, we hope, the smallest arts groups and people from local communities, all sharing the successful completion of a long and testing project, over a decade in the making.
We’re not quite there yet – there are still many other things to attend to as we make progress on this exciting regeneration programme – but we’re well on the way. And the door is open to everyone who wants to be involved!

Solar Lighting Could Solve The Parks Problem

Eco- Solar (small) 06.7.15 031.jpg The debate about lighting in Liverpool’s parks continues, with strong views on both sides. One idea which resolves most of the issues raised would be solar lighting. It can be put anywhere, it’s easily maintained, it’s relatively cheap – and it has all the right ecological credentials.
Eco- Solar (azure sky) 06.7.15 030.jpg The nights are at last beginning to shorten, and we can finally think again of strolling around Sefton Park before supper.
There are big plans afoot for Sefton Park, as for several other of Liverpool’s parks, but one of the sticking points has been lighting – much of Sefton Park is unlit, and there seems little likelihood that this will change even if the ambitious renovations promised do actually come to pass.
Why no park lighting?
Several reasons have ben given for withholding lighting from large swathes of the park and its pathways (even some of the widest and most used). These include a fear that it will frighten away the bats, badgers, whatever, or that it makes unlit areas look ‘even darker and less safe’; and apparently these concerns are more compelling than the very understandable sense that a lot of people just don’t like walking in an unlit park, albeit they would like to get some exercise.
But at base I suspect that the most pressing reason for no more lighting is cost. The powers-that-be know it would be quite expensive to install and maintain, and they don’t want to ‘overburden’ the funding bids which are being developed to make our parks better and nicer places to visit.
An ecological solution
Eco- Solar (with tree & dark sky) 06.7.15 028.jpg So why can’t we bring together concerns for cost and other issues, and reach a half-way position which, to me at least, looks rather sensible?
Let’s have solar lighting.
Solar lights don’t have to be joined together with bits of cable, they don’t require electricity from a generator, they can be put anywhere (and more can be added as desired) and they don’t need time switches. Solar lights come on as it gets dark and they turn themselves off after a few hours (short stretches of light when it’s cold and only the sturdiest souls are striding out, and longer during those balmy summer evenings when everyone wants to promenade). Plus, once installed they are inexpensive, and their maintenance is easy.
And, perhaps best of all, solar lights are eco-friendly. If there’s one place in the city which needs to set an example with green credentials, surely it’s our parks?
See also: Sefton Park’s Grebes And Swans
Liverpool’s Sefton Park, Swans, Herons And Grebes

Sefton Park, Liverpool: Winter Solstice 2006
Cherry Blossom For May Day In Sefton Park, Liverpool
What Now For Liverpool’s Sefton Park?
Cherry Picking Liverpool’s Sefton Park Agenda
Liverpool’s Sefton Park Trees Under Threat – Unnecessarily?
Friends Of Sefton Park

Regeneration Means Looking After What You’ve Got, As Well As What You Aim For

Plans for a future Mersey Tram are in tatters at the same time as the very real Mersey Ferry landing stage lies under water. More care for current assets and less dispute about proposals still on the drawing board might have served the Liverpool sub-region better. Regeneration is about looking after what we already have, even as we dream about the future.
Transport arrangements in Liverpool have been somewhat topsy turvey of late.
Am I the only person who wonders how we could be letting our main Passenger Ferry landing stage slip into the Mersey at the same time that we are making such a fuss about the ‘loss’ of the proposed Tram?
After five years of plans and plotting it seems the Trams are not to return to Liverpool, at least in the foreseeable future. This is obviously a blow to those who fought to see this mode of transport resurrected in the city, not least the Merseytravel team who had already invested heavily in track and the like for construction.
All was not as it seemed
But then we learnt that not everyone within the city council was enthusiastic about this idea. There are stories of counter-briefings and blame in high places.
And whilst this extraordinary tale was unfolding…. the Liverpool Pier Head landing stage fell into the Mersey River. And the Ferries had to be cancelled for the foreseeable future, all because of an ‘unexpected’ tide.
So not only will people from the starkly less advantaged east of Liverpool not get the rapid transport system which many insisted they had needed in order to develop work opportunities for the future, but also people who currently travel into Liverpool from Wirral to work (or vice versa) suddenly found their transport had, quite literally, been sunk.
Lessons worth learning?
There may be lessons here for everyone; and doubtless different people will conclude differently what these lessons are. But for me it’s this: Don’t let grand plans for the future ruin what’s OK about the present.
Too much of the regeneration agenda, in Liverpool and quite possibly elsewhere, is taken up with filling the front pages of the local papers with imaginative and very likely undeliverable ideas; but far too little of this agenda is concerned with nurturing what we have already, whether this be people or physical resources. The second, ‘nurturing’ option may be less dramatic than the ‘visionary’ first, but it’s equally important.
Visions for the future have produced a blinkered view of the present. Whilst Liverpool City Council, Merseytravel and others made plans and perhaps counterplans about the hugely expensive Tram, not much thought was, it seems, being giving to our already famous Ferries. And now we have neither. Perhaps, with a bit less posturing and a bit more thought, we could have had both.

Carnival, Festival Or Fiesta?

Different meanings apply to the words ‘carnival’, ‘fiesta’ and ‘festival’, but these are not always apparent in their day-to-day usage. The cultural, religious and indeed sometimes class-related nuances of these words influence decisions about what is appropriate for whom. But this may not help us to see that ideas of ‘excellence’ are not necessarily at all the same as the notion of ‘elitism’. Nonetheless, this distinction is very important, and never more so than in cities such as Liverpool, as they strive to re-invent themselves.
When is a series of celebratory perfomances a ‘Carnival’, when is it a ‘Festival’ and when is it a ‘Fiesta’?
My curiosity about these words was first aroused in the early 1990s, when we began to talk about resurrecting the Hope Street Festival in Liverpool. There is a tradition stretching back many years of Festival events in Liverpool – not least the Hope Street events (in some of which I was involved as a student) in 1977 for the Queen’s Silver Jubilee, and in the city as a whole through several decades before then.
Changing expectations
What rapidly became apparent when we began to talk with people in the 1990s however was that there were several very different undersandings about what a contemporary ‘Festival’ might be – and that most of them did not at all equate to my previous expectation that a Festival in Liverpool would be something along the lines of those in Edinburgh, Harrogate or, say, any of the Three Choirs cities.
Liverpool does indeed still have an annual ‘Festival‘, but that is a competitive event, mostly for children and amateur groups, and originally driven by a number of determined local citizens, such as the late Dennis Rattle, father of Sir Simon, and members of the Rushworth family (who had a music shop in the city). This performing arts competition, though in a fine British tradition, is neither a festival in the sense of a programme of formal professional events, nor a ‘fringe‘ in the sense that, say, Edinburgh has one.
Rather, it seemed that what people across the city expected from a modern festival around Hope Street was something in my mind more akin to a fiesta or carnival, perhaps along the lines of the event which has subsequently developed in Liverpool’s Mathew Street.
The formal definitions
These different understandings, which took a while to draw out from discussions, sent me off to look for the dictionary. What I found is interesting. The respective Oxford Concise Dictionary definitions are:
Carnival ~ festivities usual during period before Lent in R.C. countries; riotous revelry; travelling circus or fair; festivities esp. occurring at regular date
Festival ~ feast day, celebration, merry-making; periodic musical etc. performance(s)
Fiesta ~ religious festival in Spanish-speaking countries; festivity, holiday
All the terms I investigated arise from religious events, and usually Roman Catholic ones specifically – an interesting piece of background information in a city such as Liverpool, with in some parts its strongly Catholic, working class traditions.
Festivals are what you make of them
This has set me thinking. There is perhaps a tension here between what people in different places, with different previous experience, expect from a Festival. For the people of Liverpool, the large majority of whom have probably only a passing acquaintance with Edinburgh, Harrogate, Worcester, Salisbury, Cheltenham or other cities which host formal Festivals, the expectation is that celebratory performance will be community-based and, indeed, probably actually conducted on the street. A good example of this is the events offered by Hope Street Ltd, an arts training organisation in Liverpool.
Likewise, when the Royal Liverpool Philharmonic Orchestra decided to start a summer concerts series some years ago, it chose to do so under canvas and on the waterfront, on a ‘Pops‘ basis. (Since then, the event has taken a course which means that the RLPO is scarcely involved at all.)
Expectations can be important
There are however potential dangers in this apparent democratisation of performance art. Firstly, if people in a city are not encouraged to expect Festival performances by visiting artists such as we might expect in Edinburgh, Cheltenham or wherever, they are unlikely to value them; and the message that ‘excellence’ (both indigenous to the city and offered by visitors) is not the same as ‘elitism’ may be lost.
And, secondly, Liverpool will in 2008 become the European Capital of Culture. We in Liverpool may well have much to show visitors from Europe and beyond about how to engage local (largely working class) communities in arts performance – and I am genuinely eager that we should. But it is unlikely that visitors from further afield will be impressed by this if it is not backed up by evidence that we can also provide what many of them, from their previous experience, may expect in addition – which is a fine array of first rate professional offerings very visibly supported by the local populace.
In other words, there is still a lot of audience capacity building to be done in Liverpool before 2008, if we are to impress our very welcome visitors as we would wish. And time is short. Carnivals and fiestas are great; but they need to be nurtured alongside festivals of the sort offered by other sophisticated and ambitious cities, if we in Liverpool are to take maximum advantage of the possibilities now on the horizon for our Year as European Capital of Culture.

Modern Civic Leadership Needs Gender Equity

Woman with political rosette, detail (small) 80x81.jpg Cities like Liverpool still seem to have a problem about ‘strong women’. On-going changes of civic leadership in the city offer an opportunity for the chaps to disprove suspicions that they continue to hold this antiquated attitude across all spheres of influence. Institutional sexism has no place in an adult and forward-looking city.
Recent turbulence in Liverpool’s civic leadership has set me thinking about what comes next. Do we want more of the same, or do we want something fresher and more responsive than the present arrangements?
This is a city with a tradition of behind-the-scenes chaps’ groups who met for luncheon and called themselves ‘The Big Four’ (or is it Super Six, or First Eleven, or Secret Seventeen?), and which has no, repeat no, really serious power-brokers outside Westminster who sometimes wear skirts. (There are some fine women out there doing excellent jobs, but they ain’t at the top of local government in Liverpool.)
Does Liverpool have a problem about women?
I’m certainly not of the view that women are necessarily ‘better’ than men in any respect, or that change necessarily means feminisation. But I do think, on the basis of many years’ experience, that this is a city which still has problems with welcoming the input of strong women. Maybe that’s not just a characteristic of Liverpool, but we are quite evidently trailing in the so-called Equal Opportunities stakes, as the Mersey Partnership Gender Agenda illustrates all too painfully.
Equality of opportunity is also best use of human resource
This isn’t just (though it is anyway) a matter of equity. This is a matter of the optimum use of resource, including talent, knowledge and understanding. In cities like Liverpool (I assume there are others too) problems seem to be ‘solved’ by top-down directives. Maybe that was necessary at one stage; but it won’t take us up to the next level – at least, not in my opinion a next level which in the long-run will do us any good.
Using human resources well means accommodating different styles and different perspectives. Even putting aside the compelling moral case, the fundamental reason that equal opportunities is critical is that any other way wastes potential to serve the best interests of everyone. (Has someone forgotten that over half the population is female?)
Sometimes men of influence are afraid of women who are strong
Men and women across the globe are in the end much the same; the variations within each gender are usually greater than the differences between the genders when it comes to work, decisions, personal choices and so forth. We (nearly) all want what’s best, we (nearly) all want decent, effective decision-making. So theoretically it doesn’t matter whether our leaders are men or women, as long as they’re able and of good faith.
But in one respect Liverpool at least hasn’t got there yet. The chaps who decide things – not all of them, but some – are not yet prepared to change their perceptions, to see individuals for what they can bring to the party, rather than what they wear (to be facetious, a skirt or a tie?). Whilst the city continues to be run by an unspoken convention about what sort of person is ‘appropriate’ for serious influence, leadership and decision-making – and challenge as you may, demonstrating this convention isn’t the case is very difficult – we are desperately missing a trick.
Influence and leadership across the board
Covert sexism in Liverpool applies whether we’re looking at the Town Hall, the local economy or community development and involvement. There is an inflexibility somewhere in ‘the system’ which results I suspect from insecurity and / or protectionism masquerading as traditional, definitive leadership. And this overall leadership, as we have seen, is hugely male-dominated.
Current civic changes offer a chance for those decision-makers who really do care about the best interests of us all now to deliver something more inclusive and thereby also more effective for the whole community.
We shall be a Grown Up City when, and only when, the Chaps are no longer afraid of Strong Women.

‘How Do They Do It?’ – A Way To Broaden Horizons?

Liverpool’s physical location and economic situation make it difficult for some local people to know much about what’s happening elsewhere. This is turn results in difficulties in determining locally which new ideas for the city are good, and which less so. The proposed ‘How Do They Do It?’ programme could help here… but only if those who are able to do so actively support the idea.
There was a letter in the Liverpool Daily Post of 10 February, in which local commentator John Elcock writes of his concern that we in Liverpool should not reject everything that’s new in the city. He refers to his sadness about the ‘growing culture of parochialism in a city that used to trade ideas with the world.’
John’s letter is specifically about proposed new architectural designs in Liverpool; but I fear his remarks might also apply to other parts of our cultural and civic life.
Liverpool pride
I came to live in Liverpool 35 years ago this week, having never before had the opportunity to visit this city. There was plenty to be proud of for Liverpool’s citizens – its University, its Royal Orchestra, its fine Cathedrals, Theatres and Museums, its wonderful architecture; and of course the conviction of those who lived here that there could never be a better place to be.
Pride in one’s city is a fine thing, and fundamentally necessary for well-being and future success. But, unexamined, it can also be an obstacle to progress. Despite the ravages of the 1980s, we still have our flagship centres of learning and culture and our wonderful buildings; but somehow their backdrop is now more self-defensive, more openly unaccommodating of new ideas and of the give-and-take of modern life.
And Liverpool parochialism?
Many people in Liverpool do not even know about the lives of their neighbours at the other end of their own city, let alone those down the road in Manchester, Birmingham, London or perhaps further afield. Perhaps in previous times this knowledge was less essential; but now, when our young people do know about the opportunities elsewhere, many decide to leave Liverpool for pastures new.
This is a serious issue of opportunity and of cost. It is a legacy of comfort zone living, being unable to move beyond one’s own boundaries because of lack of money, lack of knowledge of what to do or where to go to find out new things, small opportunity to see why comparing our own and others’ experience might be useful. The cost of such tight horizons is sometimes difficulty, as John Elcock suggests, in being able to judge which new ideas for Liverpool are ‘right’, and which ‘wrong’.
Opportunities to compare and learn
I don’t write these observations to criticise, but rather to suggest a new opportunity and a way forward. For several years there have been proposals for a civic and educational programme based in Liverpool and called ‘How Do They Do It?’.
The idea would be to support small groups of young and older people together, as they visit other places, as guests of that town or city, to see what has been achieved (public service, enterprise, architecture and culture, whatever…) and how it was done. This would then be reported back in whatever way to our own people in Liverpool. Likewise, citizens of other places could – and indeed through the European Capital of Culture programme will – come as our guests to see what we in Liverpool do exceptionally well, and to report it back to their own neighbours and fellow townspeople.
Travel these days is easy, few towns and cities, whether in Britain or in continental Europe, cannot find a way to welcome guests who come in goodwill to learn together. Which businesses, schools and colleges, residents associations, religious organisations, individuals or whoever, can join us in making this ambition to share experience, with all the benefits it would bring to ourselves and others, a reality?

Look Back With…. Relief

Theatre Museum (small) CIMG0748.JPG There is a nostalgia in the cultural calendar at present. Memories of the 50s and 60s are to be found in both drama (The Liverpool Playhouse) and museums (the national Theatre Museum). Interesting to look at, without doubt. But perhaps much less fun to have had to live in.
We’ve been to two very striking performing arts events in the past week or so. The first was the national Theatre Museum’s Unleashing Britain: 10 Years that Shaped the Nation 1955-1964 and the other one was the Liverpool Playhouse’s Billy Liar.
Both these cultural offerings remind us of how very much things have changed over the past fifty years.
Cultural change as well as economic
Theatre Museum Unleashing Britain CIMG0744.JPG The period which followed World War II (and yes, my recollections before the swinging sixties are hazy) was stultifying for most people. There were many painful adaptations to be made in peacetime, alongside the relief that it was all over. Most people were simply intent on establishing a ‘proper’ homelife and on getting a civilian job. There was little scope for imagination and flair in the daily struggle to earn a crust and keep a roof over one’s head.
And of course there were all those children – the ‘bulge’ – who arrived as the soldiers came back home. The Welfare State could not have been more timely, but it was also pretty thinly spread.
So how did the shift to the so-called Swinging Sixties happen? Whilst for most of us this era was nowhere near as exciting as it’s now made out to be (living in Birmingham probably didn’t help…) it was certainly a time when great cultural shifts occurred.
More money, more young people, more education
By the mid-fifties rationing had finished, and schools and health systems were fully in place, as the peace-time economy settled down; and this meant that a decade later, by the mid-sixties, there were quite significant numbers of young people (though only a few percent of them all – maybe 5% maximum) who were relishing the freedom of student life.
For first generation grammar school children going to university was a huge breakthrough (just as, we must always remember, not going to grammar school and univesity was for some of their siblings and friends a huge heartbreak). I doubt many young people now could understand how important it was to save up for the big striped university scarf which denoted you a Proper Student.
Along with this came a new freedom – to do one’s own thing, to find new ways to be artistic, literary, creative. It isn’t surprising therefore that the ‘new reality’, the kitchen sink drama, came into being. For the first time there were significant numbers of young people with higher education who knew for themselves what working class life was like… and who produced, through theatre and writing and film, a record of realities which is now a legacy for us all.
A legacy we remember but didn’t enjoy
It’s salutory to look back, through the cultural events on offer now, and remember just how constraining and difficult those years were. Given the freedoms of today, or the restrictions of then, I don’t think many would turn the clock back.
Life isn’t easy for everyone even now, but the numbers of families where the frost has to be scraped off the inside of the bedroom window every chilly Winter morning is without doubt lower – and could indeed with proper organisation of support be reduced to none.
There’s not much nostalgia in my mind for the good old days… they are a fascinating time to examine and learn about, but they weren’t I suspect that much fun for most folk to live in.
Read more articles on the National Theatre Museum.

Liverpool’s Princes Park Has Friends

The Friends of Princes Park is amongst an encouraging number of similar groups who are demanding that our green space be nurtured. Liverpool has a historical legacy of wonderful parks; and now its citizens are insisting more voluably that these are fit for the twenty first century city.
Today’s Liverpool Daily Post supplement has a long article by Peter Elson on the work of the Friends of Princes Park. The Friends have resurrected themselves after a fallow decade or three, and are making the same case for attention to their treasured space as are other groups in and around Liverpool. All power to Jean Grant, the Chair and leader of the developments! This is a park in Liverpol 8, adjacent to some of the least advantaged communities in the city. It needs nurturing.
Promising developments
There’s talk of involving local schools and of linking Hope Street to Sefton Park… a long discussed but so far not actioned development (but a route some of us take by way of a constitutional when time permits). There is an encouraging acknowledgement of the part the Park can play in sustaining social inclusion, health and an understanding of the history of our city.
Where’s the support?
One possible snag in all this however seems to be the continuing reluctance by the City Council to support, quietly and constructively, the citizens who care about this fabulous amenity. There are encouraging noises from that direction now – but the track record often isn’t good. Here’s an opportunity for the Council to play what (in my view) is its proper role…
Councils clearly have a formal duty to balance competing demands for support by citizens around the city; but they could also become facilitators, socially, financially and strategically of the people who want to see things improve. Now, that would be a new way to do things.