Blog Archives
Will Merseyside Miss Out? The Gormley Statues And The Theatre Museum Are Must-Haves.
Sefton Council says Antony Gormley’s Iron Men may soon leave Crosby Beach. The national Theatre Museum, which it has been mooted should come to Liverpool, has yet even to be considered by the City Council. Where’s the cultural leadership and vision which could mark Merseyside as a fascinating place to visit?
Here we go again. The cultural drag, if I may call it that, which afflicts so many places is once more theatening to relegate our sub-region to the ‘might have beens’, a place which could have been braver and better.
In just one evening last week (on Wednesday 18th October ’06) Liverpool City Council took the extraordinary decision not even to discuss a motion about how the city might acquire the national Theatre Museum, whilst on the same evening Sefton Council voted not to keep Antony Gormley‘s one hundred Iron Men on Crosby Beach.
There is a real danger that we on Merseyside will end up looking as though the last thing we want is to support culture, just at the time when the mantle of European Capital of Culture is about to be ours.
Time is short
The Daily Post and others have already started a campaign to reverse the Gormley statues decision, with some success already. It is now necessary for others to ensure that Liverpool Council does the same, and makes a real effort to bring the national Theatre Museum to Merseyside …. of, if they can’t, for someone esle to do so The benefits of doing this are clear and have already been discussed on this website.
The reputation of Liverpool and Merseyside in 2007/8 rests on imaginative and forward-looking leadership and real vision in culture and the arts. It’s time everyone in Merseyside pulled together on this.
Read more articles on the National Theatre Museum.
John Belchem’s ‘Liverpool 800: Culture, Character & History’ (1207-2007)
For three years Professor John Belchem and his University of Liverpool colleagues worked on a scholarly publication to record Liverpool’s eight hundred years as a city (1207 – 2007). Academically impressive, the book offers vibrant testimony to the human actions and achievements behind the dry facts – just as those attending made the official launch of this publication, in the setting of Liverpool’s splendid Town Hall, such a warm and memorable occasion.
Liverpool Town Hall is always a spectacular venue in which to celebrate a special occasion. It reminds us vividly of what the City of Liverpool must have been like in its prime, and what indeed it could still be again.
Nowhere, then, could have been more appropriate as a location for the formal launch on 18th October 2006 of Liverpool 800: Culture, Character & History, the University of Liverpool Press book edited by Professor John Belchem about the first eight hundred years of this sometimes infuriating and always fascinating city. Liverpool is on the verge of another momentous era in its long history, as 2007 and 2008 approach. (You can see just some of the many special aspects of Liverpool life and legacy in the books listed immediately below this article.)
Liverpool 800 is an impressive publication which charts as honestly and openly as it can the ways in which Liverpool has progressed over the past eight centuries, from its ‘small beginnings’ in 1207. As the book’s back cover reminds us, Liverpool rose, not always by admirable means, to become one of the world’s greatest seaports, so that by 1907 it was the second city of the empire. But what happened thereafter resulted in a vastly different prospect for this enigmatic city. John Belchem’s book, in charting the rise, fall and we trust rise again of Liverpool, will I know be a big hit; and I hope it will also offer a focus for just how we can now move forward to a second period of success and (this time, benign) global influence.
New friends and old
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Not withstanding the importance of the occasion, one of the nicest things about the Liverpool 800 launch was much simpler than all this. It was, as on other similar occasions, an excellent opportunity to catch up with friends old and new.
In the course of the evening I chatted with many people, including the Lord Mayor, Councillor Joan Lang, with whom years ago I sat on the City Arts Festival Committee, as well as those stalwarts of Liverpool’s civic history, such as John Vaughan, a local historian, now retired from the University of Liverpool Libraries, Christina Clarke JP, a ceaseless advocate for the preservation of our built heritage, Dr Peter Brown, chairman of the Merseyside Civic Society, and Andrew Pearce, at one time an MEP for Merseyside and now chairman of the Liverpool Heritage Forum. Others with an impressive knowledge of our civic heritage whom I know from the Liverpool Echo Stop the Rot campaign were there too.
In the same room, also chatting happily with everyone assembled, were people such as Rodney Holmes of Grosvenor,
who is in charge of our huge new Paradise Project ‘Liverpool One’ commercial development, and others from the University of Liverpool, the Liverpool Culture Company and the City Council, all in their day jobs busily engaged in promoting our future prospects as a city.
And then there were folk ‘from the community’ such as Tom Calderbank and his wife, who have worked so hard to raise the profile of places like Toxteth Town Hall and The Belvedere.
In all, a richly diverse assembly of people, with their varied focuses on the past and the future, to celebrate the richly diverse history of our city.
A history which brings us together
I could go on, but lists are never complete and after a while inadvertent omissions start to become obvious. However one looks at it, this book launch was an event which brought together people from many parts of Liverpool.
But of course the main person on this occasion was the man who with his co-authors has seen it through from beginning to end, linking all these varied threads into one cohesive whole. John Belchem spoke to us about his book without notes and with much passion. It was good to see him so delighted with the interest in, and support for, his finally completed project.
A welcome message
John’s theme when he addressed us was one to which we can all subscribe: History tells us, he said, that Liverpool has always thrived on celebration. The city’s fortunes prosper when, whatever the reason, there are parties and festivities to be had! The launch of Liverpool 800: Culture, Character & History, in our fabulous Town Hall, was an excellent practice run for what we all hope will also be an outstandingly excellent couple of years for Liverpool, in 2007 and 2008.
Will The National Theatre Museum Come To Liverpool?
Sometimes things move quickly. The proposal to bring the national Theatre Museum to Liverpool when it closes in London seems to be one of these times. Just ten days after being mooted on this website, a proposal to take action will be debated tonight by City Councillors in Liverpool Town Hall.
The idea of the national Theatre Museum (the National Museum of the Performing Arts) coming to Liverpool took a step forward this morning, when the proposal first posted here ten days ago appeared as an article in today’s Daily Post.
Liverpool City Councillors Joe Anderson, Paul Brant and Steve Munby (Labour) will this evening put a motion entitled NATIONAL THEATRE MUSEUM to full Council, proposing that:
Council notes that the national collection of performing arts memorabilia, at the Theatre Museum in London, part of the Victoria and Albert Museum, is to be dispersed when the Theatre is closed in January 2007.
Council calls on the Leader to explore the possibility of bringing it to Liverpool to develop as a special national element of our celebrations in 2007 and 2008? Liverpool has a great tradition of theatre, opera and the performing arts in this city, and the V&A could open the revived exhibition as a ‘V&A in the North’, as the Tate has done with Tate Liverpool.
To the national exhibition we could explore adding the archives of our own theatres, the Royal Liverpool Philharmonic Society’s archive and the history of Hope Street, Liverpool’s performing arts quarter.
Progress indeed
I am very hopeful that the motion will be carried with cross-party agreement, since Cllr Mike Storey (Liberal Democrat), Liverpool’s executive member for special initiatives, has told the Daily Post that he would support examining such a move for the Theatre Museum collection, and Cllr Steve Radford (Liberal Party) has also indicated his general support to me.
This is how we in Liverpool should all be working when it comes to the arts and culture. HOPES has produced, and the politicians have made progress with, a potentially good idea which would enhance parts of our civic ‘cultural offer’ in a very positive way. Just as with the development of the Hope Street Public Realm works, I hope we can deliver here something which involves both public and community voices in a virtuous circle, and so secures added value locally, regionally and even nationally.
We await the outcome of this evening’s Council Meeting with interest….
Read more articles on the National Theatre Museum.
Hope Street Farmers’ Market Is Deferred – But Why?
The Farmers’ Market scheduled for Liverpool’s Hope Street today has been cancelled because of pressures on officialdom. This is not a new scenario when it comes to efforts to enhance the local community’s engagement and enterprise. What could those ‘in charge of granting permissions’ do to prove themselves, rather, as partners and enablers?
The Daily Post this morning reports that the intended monthly Farmers’ Markets in Hope Street (third Saturday of the month) willl now begin in November, not today. After two very successful test runs (last October and during this year’s Hope Street Festival – though why not as we suggested before then, I don’t know) there was a real head of steam for the event today. People just love markets, with all their variety and colour!
But it seems the authorities can’t cope… not enough time for the policing (in Hope Street? – probably Liverpool’s most sedate throughfare till now at least), not enough notice, and so forth…. and the Farmers’ Market organisers, Geraud Markets, are upset.
Not a new problem
Sadly, this ‘not enough notice’ and / or ‘can’t be done without big payments’ scenario is not new. It caused the delay of this year’s Hope Street Festival, originally planned for June, and it has been the undoing of several other events along Hope Street (as well, I suspect, as elsewhere).
It is fair to say that perhaps Geraud Markets, who have a joint venture arrangement with the City Council, might well have made appropriate contact with the authorities earlier – they are a big organisation – but that doesn’t really explain the history of City Council ‘can’t do’ which seems to overarch so many attempts to engage and involve people in our local community. The thwarted efforts are too many to list here.
Basic objectives put aside
Whether you look at the very worthy stated objectives of the Farmers’ Markets joint venture with Liverpool City Council, or at those of much smaller organisations such as HOPES: The Hope Street Association, you will find a serious intent to improve the health, environment, general quality of life and enterprise climate of our Quarter.
The City Council may well claim to endorse these fine words – and individually some of its officers certainly go the extra mile in doing that – but overall their actions speak don’t do much to demonstrate the commitment when it matters.
Supporting local communities – or not?
The question that perhaps those in charge at Council HQ have to ask is, ‘What are we actively doing to help? And is it actually enough?’ No private organisation or individual is obliged to support the enterprise and engagement of Liverpool communities, and some of us feel sorely tested. But it seems the message still isn’t getting through.
London’s Theatre Museum Is Closing – So Why Not Bring It To Liverpool?
The national collection of performing arts memorabilia, at the Theatre Museum in London, is to be dispersed when the Museum is closed in January 2007. So why not send it instead to Liverpool, as a ‘V&A Liverpool’, and let us up here have it as a very special part of our 2008 European Capital of Culture celebrations?
The sad news this week is that London’s Theatre Museum is to close. Its home in Covent Garden near the Royal Opera House is to be no more, and its exhibits will be dispersed by its parent body, the Victoria and Albert (V&A) Museum.
A loss for the arts world, and everyone else
I’m sure there will be knowledgable people who will conclude that the merits or otherwise of the Theatre’s exhibits justify this decision, but to me it seems shocking. I visited it quite recently for the ‘Unleashing Britain – Ten years that shaped the nation: 1955-1964’ exhibition and, as I reported on this weblog, I found the whole place fascinating.
Perhaps the Theatre could be said to have been its own worst enemy, insofar as it always look closed even when it’s actually open – the doors seem blank and much of the exhibiiton is ‘below stairs’, in a wonderful but not-visible-from-the street warren of tunnels and small rooms; but the external visibility problems could easily have been resolved.
A bright idea?
However, if people in London don’t want the Theatre Museum collection as an identity, I have an idea…. Why not bring it to Liverpool for us to enjoy, and to develop as a very special national element of our celebrations in 2007 and 2008? We have a great tradition of theatre (and opera) in this city, and the V&A could open the revived exhibition as a ‘V&A in the North’, as the Tate has done with Tate Liverpool.
And to the national exhibition we could of course add the archives of our own theatres, the Royal Liverpool Philharmonic’s archive and the history of Hope Street, Liverpool’s performing arts quarter.
There’s just about time to get the ball rolling, if we all started to work on this now. It would be a superb asset for Liverpool, and would keep the national exhibition in the public eye, when all our vitiors arrive for Liverpool’s 2008 European Capital of Culture Year. We have plenty of large buildings which could be put to good use in this way, and surely the maintenance costs could be found from somewhere, just as they will have to be if the artifacts stay in London anyway?
Benefits all round
If London really doesn’t want to keep the Theatre Museum as an identity, here’s an opportunity for them to do something really good as partners to help us ‘up North’ to gain even more value from our special years in 2007 and 2008, and beyond.
Read more articles on the National Theatre Museum.
Penny Lane, Not Any Lane (Liverpool)
Penny Lane in Liverpool is one of Liverpool’s most famous streets. How sad then that the high hopes of this community have been dashed so many times, as they try to secure their dream of a Millennium Green and a Centre for visitors and locals alike. A decade waiting is quite long enough. Now there must be some action.
Ten years is not a long time in the life of a city, but it can be in the life of a community. In that time people can arrive and depart, have families or see their youngsters leave. Many things determine the likelihood of any of these events, not least changes in the tone and appearance of that community’s actual location.
These thoughts came to mind as I recently made a visit to Penny Lane, that part of Liverpool’s inner suburbs, not far from my own home, which has been immortalised by our most famous sons, the Beatles.
Does it have to take a decade?
Ten years ago local residents decided they would like a Millennium Green and a Centre for locals and the many visitors, on the Grove Mount site of fairly undeveloped land along Penny Lane. After much hard work they secured a promise of such an amenity as long as they were able to secure the land and produce a sensible business plan. As part of the celebratory activity following this promise, I took ‘before’ photographs of the area – which I had hoped would swiftly be superseded by the ‘after’ photos.
Three cameras and thousands of photographs later, I’m still waiting.
The City Council has made various vaguely encouraging noises over the years, but nothing of substance seems to be happening. The field still hosts very occasional children’s football matches, but is if anything is more derelict than before. It is strewn with litter and worse; and the building in the corner is in a serious state of collapse.
Community impact
Unfortunately, much the same can be said of some people in the local community. Local youngsters (by no means a majority of them, but enough) use the field to hang out, disturbing and worrying other residents, whilst those who campaigned for the Millennium Green hand on grimly to their dream, never having imagined when they began that so much later still there would be no evidence of success.
Is this the way to treat people who give whatever they can of their time, imagination and enthusiasm in trying to improve their community?
People Power
Someone once said that a theme to which I consistently return is People Power. Too right, if what is meant by that is respecting and helping decent folk to maintain the areas in which they live. This, in my books, is a requirement on us all.
For now, the only satisfied ‘resident’ of the proposed Penny Lane Millennium Green is the cat who suns himself on the entrance pillars to this sorry, derelict site. I really hope that before long the powers that be will get a grip, and that, before the humans decide to give up completely, this happy little felix will have to relocate.
Hope Street, Liverpool: History And Festivals (1996 – 2006)
The Hope Street Festival in Liverpool, delayed from Midsummer, was on Sunday 17 September. This exciting milestone in Hope Street’s history, introducing of a start-of-season early Autumn ‘Feast’ to go in future alongside the Summer Festival, is however neither the beginning nor the end of the journey.
Liverpool’s Hope Street Festivals And Quarter (1977 – 1995)
The first Hope Street Festival was in 1977, to mark the Silver Jubilee of HM The Queen. The next event, marking the Centenary of the Incorporation of the City of Liverpool, was in 1980. There followed a period of great concern for the cultural fortunes of Hope Street.
During the 19803 and into the ’90s Hope Street’s cultural institutions were in great peril. From this time of peril however, in the early 1990s, emerged a community-led campaign -The Campaign to Promote the Arts on Merseyside (CAMPAM) – to ensure that Liverpool kept its flagship organisations; and from CAMPAM in turn emerged HOPES: The Hope Street Association, the registered charity which was to seek renewal of the Quarter and which was later to resurrect the Hope Street Festivals.
The original Hope Street Festivals were organised in 1977 and 1980 by a group of people who included Stephen Gray OBE and Andrew Burn, then managers at the Royal Liverpool Philharmonic Society, as well as the late Adrian Henri, one of the founding Liverpool Poets, and other local artists and restaurateurs such as Berni Start of Kirklands Wine Bar, and Paddy Byrne of the Everyman Bistro.
Talking to people in Liverpool today, many of them recall the 1977 event as tremendously exciting, taking part as school children in one of the most massive pageants imaginable – 17,000 participants enacting eight scenes depicting the four seasons along the length of Hope Street, from one cathedral to the other. (As those then involved will tell you, some children even had to run from one point to another, to enact different parts of the pageant!)
In both 1977 and 1980 there was much support from the business community. The list of sponsors contains names which sometimes take one down memory lane: Leighton Advertising of 62 Hope Street, Modern Kitchen Equipment of Myrtle Street, Ford Dealers J. Blake and Company of Hope Street, , WH Brady of Smithdown Road, Girobank, Littlewoods, Radio City, and Higsons Brewery amongst them, alongside further flung organisations like the Chester Summer Music Festival, Welsh National Opera, Theatr Clwyd and even Decca, who recorded much Royal Liverpool Philharmonic Orchestra (RLPO) music during that time… Strange to say, the first three businesses are now lost to Hope Street; but most of the others of course remain as current concerns in Liverpool. As we shall see, it was in part an enthusiasm once more to energise the business community in Hope Street Quarter which led to the resurrection of the Hope Street Festival in 1996.
1977 – The Queen’s Silver Jubilee
The 1977 Festival was centred on celebration of the visit to Liverpool of Her Majesty the Queen, during her Silver Jubilee tour of the United Kingdom. Malcolm Williamson, Master of the Queen’s Music, wrote a pageant entitled The Valley and the Hill, to be performed in Hope Street on 21st June. (I know; I made thirty children’s ‘sheep’ costumes for the performance, whilst on a teaching practice!) This was recorded in 1983 with a choir of 2,000 local school children and the Royal Liverpool Philharmonic Orchestra (my violinist spouse was there…).
The 1980 Hope Street Summer Festival
Then there was another Hope Street Festival in 1980, directed once more by Stephen Gray as General Manager of the RLPS, with his colleague Andrew Burn – again an impressive programme of concerts, talks and other events by leading performers and commentators, including the Allegri Quartet, Christian Blackshaw, John Cage, <a href%3
Visiting Valencia
Valencia, Spain’s third largest city, offers much more than simply the industrial centre which many imagine. This mediaeval seat of learning and trade has a charm reaching far beyond the attractions of its wide sandy beaches and windswept sea.
Valencia is a wonderful place to visit; history and modernity go hand in hand with a fascinating range of things to do and enjoy. But it remains a city in transition where there’s still scope, as in many other cities ‘on the edge’, for better communication with those who come to enjoy and admire this evolving location. In some ways, however, that’s part of the adventure….
In 2007 Valencia plays host to a world-class event, the America’s Cup; but it also has an exotic living civic history and a rural hinterland, known so far to only a few, which encompasses the Albufera ornithological paradise and the ancient traditions of towns like Sagunt and Xativa.
Valencia, we now know, is The Place for everyone to be seen in 2007. It’s to host the America’s Cup on behalf of Switzerland, and everyone who’s anyone will be there.
Well, that’s next year. In the meantime, we turned up this August (2006) for our holiday, barely aware that the America’s Cup was on the agenda (though, come to think of it, we did have a brief encounter with the run-up to it on a trip to Marseilles last summer).
For us, arriving late on a hot August evening, the attraction was simply that Valencia is a city with history, sun and lots to see.
First impressions
Our rule-of-thumb is that the hotel we choose for our holiday should be near the historic centre of the selected sunny city destination; anywhere near a cathedral is usually a good way to ensure that, especially if the map shows the streets around the hotel as small and windy.
And so we found ourselves, that first evening, sitting in a paved square with its own uplit fountain outside the Astoria Hotel, serenaded by some very business-like passing musicians and enjoying a late meal after our travels. (We subsequently realised that ‘late’ is a different idea in the mind of a Brit from that of Valencians, whose young families dine out at times which seemed exotic even to us as oldies.)
Then next morning we began our annual adventure, to discover as much as possible about our host city whilst taking in the ambiance and enjoying a few of life’s little luxuries. Not hard to do in Valencia!
A city of contrasts
You can read all the guidebooks about a city, but nothing except direct experience takes you to the real thing. One lasting impression we have of Valencia is that it’s amazingly flat and easy to get around. Don’t, whatever you do, take a car – the local parking attendants are very diligent. But do get a street map and some walking shoes; this is easy terrain. Take your time and your ease and savour the freedom to roam which visitors to
Valencia can enjoy. The mediaeval centre of the city is compact and rewarding for those who linger and explore it.
And do be prepared for surprises. Until you’ve seen it, you truly won’t be able to understand the impact of the Third Millennium City of Arts and Sciences, with the Palau de la Musica, its enormously impressive Science Museum, Congress Palace (still being built) and the wonderful Oceanografic, complete with shark tunnel, flamingos and leaping dolphins.
Nor can you really imagine the exquisite architectural balance of the Plaza de la Virgen which shares the centre of the old city with the Cathedral and other mediaeval buildings.
It’s a meeting point, a perfect setting for a relaxing break or meal and, almost unnoticed, adjacent to the site of roman remains, visible through cleverly placed glass partitions and in one place actually excavated and viewed via a glass-based water feature. Here is evidence before our very eyes of Valencia’s history from Roman times onwards, set with such sense of place that it feels almost unreal.
Valencia is green
Altogether a different experience is the greenness of Valencia. We had heard of the great Turia, the now-dry river bed which surrounds the old city and provides some ten kilometres of leisure space for locals and visitors alike. Walkers, cyclists, footballers (of all ages and both genders), relaxed locals and tourists mix with ease in this enormous space, enriched with much public artwork and trees of every sort, and spanned at many points by bridges ranging in design from the formidably modern to the elegantly ancient.
This is an open space, magnificently appointed, which must surely meet the needs of all who use and visit it – yet it came about only because city leaders feared another mighty flood, such as that in 1957, and so they decided to divert the river proper. Sometimes it is indeed possible to bring about good from catastrophe.
What was less familiar to us was Valencia’s stoutly walled (and thereby almost un-findable) Botanic Garden, which is administered by the University. It’s an oasis of clearly ordered information, calm and dappled light.
And further afield is the huge shallow lagoon of Albufera (we went on the Bus Turistica), just a metre deep for most of its five kilometre diameter, but home to many different birds and host to thousands of visitors who are transported in the traditional flat-bottomed boats of the local people.

Strangely, to most of us from the more Northern parts of Europe, almost none of these amenities has developed commercially. Of course in some ways that’s great, but in other ways not so. You can’t even buy a bottle of water on your trip to Albufera, and locating the entrance to the Botanic Garden is a real challenge – though admirably it was open on a Bank Holiday when everywhere else was closed. (In fact, many things, including – despite the jellyfish sea bathing scare – the main public swimming baths, were closed for the whole of August…)
More architecture
Back exploring the built environment, we were fascinated by the range of styles and shapes of the city. The fifteenth century UNESCO World Heritage site of La Lonja de los Mercaderes is one of the oldest secular institutional buildings (it’s a mediaeval silk trading hall), and just opposite it is the ornate early twentieth century Mercado Central, not to mention the extraordinary Estacion de Nord (sadly next door to the only real blot we saw on the valencian landscape, the Bullring, still put to its original use – though happily functioning as a market whilst we were in town) with its tiled salutation of Bon Voyage on the walls in many languages.
Wider afield

Conveniently, our hotel being just across the Plaza del Ayuntamiento (City Hall) from the Estacion de Nord, it was easy to get out of town on the train for the green hills which surround Valencia. Thus we found ourselves taking days out variously in Sagunt to the north and Xativa to the south – both famed for their fortress castles, but both also surprising us with other sights as well.
In Xativa we suddenly encountered an enormous street market – at least a kilometre long, with everything from wonderful dried herbs, to candles, carved wooden animals and (thousands of!) walking sticks – which had encamped for a week, marking the traditional Southern European Feast of the Assumption on 15 August. Here, where we had anticipated just a quiet stroll, were merchants from all over the world, South America, Africa and closer to home, many of them in traditional costume, plying their wares, selling food, playing music and generally in celebratory mode.
And in Sagunt, a place like Xativa which from the railway station seemed unappealing – and was certainly seriously unsignposted – we saw a magnificent open-air opera house, reconstructed in somewhat controversial style on the site of a Roman amphitheatre, overlooking Sagunt’s fabled old town but still far below the castle with its breath-taking vistas across the mountains and plains encompassing Valencia city, and onwards to the sea.
A place to revisit
Valencia is vibrant and varied, a place to return to when one can. Not every aspect of the transition to a modern city has been resolved, as the continuing use of the Bullring in its original role demonstrates, but it is evident that much progress has been made. There were of course things missing on our visit.
Nowhere in the city itself was any music, even small-scale performances (other than enterprising street musicians), to be found during August. Many places provided no clues for non-Spanish / Valenciano-Catalan speakers about how to conduct one’s business – always crucial if serious tourism is to be encouraged. Most tourist information points (even at the train station) were thinly stocked and closed in the afternoons and during festivals, even though thousands of visitors were in town. Signposting is almost non-existent, at least as far as we could see. Public transport remains largely a mystery to us even now, and after about ten at night seems effectively to disappear, which might be thought strange given the late hours kept by the locals.
But on the whole these are not aspects of great cities only now emerging into prominence which don’t also occur elsewhere. They are things which will need to be addressed as Valencia becomes more used to welcoming visitors from far and wide.
Valencia is a city with great promise for future, as well as a fascinating past. If you haven’t been there yet, it should be firmly on your list of places to look forward to.
A New Public Realm For Liverpool’s Hope Street
Liverpool’s Hope Street Quarter has just been refurbished, with an exciting and imaginative scheme of new public realm work secured by genuinely ‘bottom-up’ community engagement and local stakeholder buy-in. But this is only a beginning, for what could be one of the most important arts and cultural quarters in Europe.